Photos and artist’s statement from Sze Tsung Leong for On the Horizon

To drift toward the horizon implies approaching the outside, the unseen, the unknown, the foreign. Yet if the horizon is always the farthest visible point, the widest limit of knowledge, then any approach to the horizon will be accompanied and preceded by the range of familiarity that delineates the horizon in the first place. The familiar, to some degree or another, is always immanent in the foreign, acting as a form of navigation, a compass by which the outside can become understandable and legible.